It’s hard to imagine a band just coming into their own after 20 years of success, but that’s exactly what makes a true anomaly.

The band attributes their continued success to their fanatic audience, and it’s a well-diversified crowd for sure – attracting fans of every genre with their rich storytelling, energetic instrumentals, devotion to Celtic traditions and passion for their stagecraft. They are as loyal to their fans as the fans are to them, as front man Patrick Murphy states, “The fans are the ones that have given us this life. We’re here for them.”Gaelic Storm takes a true blue-collar, hard-nose approach to touring, consistently traveling the US and internationally forging a unique path in the Celtic music world. “You have to see us live. We are the true working-man’s’ band,” says longtime member Ryan Lacey. “We still, and most likely always will, tour most of the year, and that’s how we constantly hone our craft.”This dedication to their live show dates all the way back to the mid-1990s, when Gaelic Storm kicked off its’ career as a pub band in Santa Monica, California. One which performance led to their discovery that ultimately found the band appearing in the blockbuster film, Titanic (where they performed “Irish Party in Third Class”). This laid the groundwork for a career that would eventually find them topping the Billboard World Chart six times, making appearances at mainstream music festivals, and regularly headlining the largest Irish Festivals across the country, all while gaining a reputation as a genre-bending Irish rock band whose songs mix Celtic traditions with something uniquely creative.Recent years have seen the addition of Natalya Kay on fiddle and Parker Hastings on guitar, who both bring their own energy, musicianship and spirit to Gaelic Storm.

“I’ve lived in Nashville for the last eleven years,” says Keb’, “but Compton has always been my home. Finding a way to connect those two places on this album was a powerful thing for me. It felt like something I needed to do.”

Written partially in Nashville and partially in the Compton house Keb’ grew up in, Good To Be is a celebration of roots and resilience, of growth and gratitude, of hope and memory. The songs here draw on country, soul, and blues to forge a sound that transcends genre and geography, weaving together past and present into a heartwarming tapestry spanning more than forty years of sonic evolution. Though Keb’ worked with a wide variety of collaborators on the project—country legend Vince Gill produced three tracks, while famed producer Tom Hambridge (B.B. King, Buddy Guy) helmed several more, and special guests like Darius Rucker, Kristin Chenoweth, and Old Crow Medicine Show appear throughout—it remains a deeply cohesive work, one anchored by the five-time GRAMMY winner’s magnetic vocal delivery and relentless optimism. “It’s good to be here / It’s good to be anywhere,” Keb’ sings on the album’s easygoing title track. “It’s good to be back / Good to be home again.”