CONCORA & Baroklyn, featuring Simone Dinnerstein

The first of these cantatas (BWV 9) was used for Lutheran teachings, centering around salvation; “Salvation now has come for all” became a theme amongst authors and composers. In BWV 182, listeners hear structural diversity within the work: canonic material in the chorus (à la Pachelbel), rich instrumental writing in the overture, the division of instrumental sections interacting with voice.