1964: The Tribute focuses on the quintessential moment in history, when The Beatles actually played before a LIVE audience.
They toured the world in the early 1960's, but now only a precious few remain who actually saw them LIVE; who actually felt the "mania" that brought them to world acclaim. And today, all that remains are a few scant memories and some captured images in pictures and on poor quality film and video.
"1964" meticulously re-creates the "MAGIC" of those LIVE Beatles' performances with artful precision and unerring accuracy. For those that never saw The Beatles LIVE and always wanted to know what it must have been like... this is as close as anyone could possibly get to...FEELING the MAGIC!
From her home base in Boston, Lori McKenna has carved out an enviable niche for herself as one of Nashville's most in-demand songwriters, all while maintaining a prolific and remarkably consistent career as a solo artist.
Sugar Kings (named after a Cuban baseball team) is a Boston-based quartet known for their dynamic live performances, rich harmonies, intense musicianship, and ability to transcend genres with an authenticity rarely heard. In their world, respect is paid to the forefathers of Afro-Cuban Son, Salsa, and Rumba-Flamenca. But that's only part of their story.
Hailed as “one of America’s most intriguing, creative, and idiosyncratic voices” by American Songwriter, Jewell built her career the old fashioned way, touring relentlessly with the kind of undeniable live show that converts the uninitiated into instant acolytes. Over the course of nearly two decades on the road, the Idaho native has crisscrossed the US, Europe, and Australia countless times, playing an endless series of headline and festival dates in addition to sharing bills with the likes of Lucinda Williams, Loretta Lynn, Mavis Staples, Wanda Jackson, George Jones, Emmylou Harris, and The Blind Boys of Alabama. Rolling Stone lauded Jewell’s “clever writing,” while NPR declared that she has a “sweet and clear voice with a killer instinct lurking beneath the shiny surface,” and The Washington Post mused that “if Neko Case, Madeleine Peyroux and Billie Holiday had a baby girl who grew up to front a rockabilly band, she’d probably sound a lot like Eilen Jewell.”