Cajun Music
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Music
1--CONCERT-- 285 Events
2--CABARET-- 12 Events
Americana 165 Events
Classical 151 Events
Jazz 37 Events
Ethnic 15 Events
Religious 58 Events

Tracy Grammer & Jim Henry
Tracy Grammer is among contemporary folk music’s most beloved artists. Renowned for her pure voice, deft guitar, violin and storytelling, Grammer has recorded and performed with Joan Baez and Mary Chapin Carpenter, headlined Philadelphia Folk Festival and Falcon Ridge, and enjoyed 12 consecutive years as one of folk radio’s 50 top-played artists, both solo and with the late Dave Carter.

Cambridge Symphony - American Rebels
JOHN CORIGLIANO Symphony No. 1: Of Rage and Remembrance
LEONARD BERNSTEIN Symphonic Dances from West Side Story

Cambridge Symphony Orchestra - American Rebels
JOHN CORIGLIANO Symphony No. 1: Of Rage and Remembrance
LEONARD BERNSTEIN Symphonic Dances from West Side Story

Lexington Symphony - Pushing The Limits
Still | Bells Shostakovich | Violin Concerto No. 1 —Callum Smart, violin
Bartok| Concerto for Orchestra
British violinist Callum Smart returns by popular demand to Lexington Symphony to perform Shostakovich’s evocative Violin Concerto No. 1. Bartok’s Concerto for Orchestra was commissioned by Boston Symphony Orchestra’s Serge Koussevitsky in 1943. This popular piece is filled with opportunities for each section of the orchestra to shine as the piece builds to an exuberant conclusion.

Atlantic Symphony - Masterworks Classical
MOZART: Bassoon Concerto in B-flat Major K191
Heejeong Jeong, bassoon
BEETHOVEN: Symphony No. 6 ("Pastorale")
Featuring “Pastorale” art works by local student and adult artists.
Experience an evening of timeless classical music with the Atlantic Symphony Orchestra at Thayer’s Center for the Arts. Join us for two audience favorites by Mozart and Beethoven, plus a piece highlighting one of the most extraordinary instruments of the orchestra - the bassoon.
Mozart's Overture from The Abduction from Seraglio is upbeat and fun, evoking a carefree freedom and peace.
His Bassoon Concerto continues that theme of joy and cheer. It is an extraordinary piece giving the spotlight to an instrument rarely heard solo in today's classical repertoire, and we are excited to welcome Heejeong Jeong for the first time.